Tetchy?

Beer writing is a broad canon. From professional journalists through enthusiastic bloggers to an ecelectic selection of one-liners on Facebook or Twitter. In all formats, some of it is informative, well researched and well written, some of it is not. Some of the work is paid for, some is not, and there is the peril of ‘full disclosure’. What it hasn’t been up to now is tetchy and ill-natured.

Exhibit 1: M.Lawrenson, no not that one. Just an ordinary guy who blogged about beer, past tense. A self-confessed, talented piss taker he seems to have upset the establishment or ABCDs as he calls them (Awesome Beer Communicator Dudes), from an unnamed but well-followed lady, to the ubiquitous Matt Curtis and the ever genial Martyn Cornell. I wish I had read some of the posts. Certainly Lawro (as I can’t sop thinking of him) does have a chip on both shoulders about his working class roots and being outside the beer establishment. Unfortunate because I have one small circle of friends that I only know through beer, to look at us you would wonder what we have in common. On the surface it appears that it may be a case of ‘you can give it but you can’t take it’. As he says, beer IS fun, alternative reasoned opinions should be welcome. So his decision to stop is sad.

Exhibit 2: Matt Curtis. Matt should have a T-shirt saying ‘why is it always me?’. No denying it, Matt is a fanboy for Beavertown, Camden (pre-‘sell out’ natch) et al. Initially he had lots of run-ins on account of his need to defend any bad word said against these breweries (who couldn’t stand up for themselves;). The exchanges with Stonch were forthright but I always thought there was underlying good humour. Now Matt is indignant that Duncan Sambrook (All Breweries Debating Champion 2016) has suggested he is anti-cask/pro-keg. I don’t follow this too closely but looking at Matt’s last three blog posts (Beavertown, Lost & Grounded, Cloudwater), his history of being peoples champion for Beavertown, Camden et al and the paid work which he does (I only know of stuff in the predominantly keg sector) then I would say it is fair comment. We do need more Matts though, everything is always wonderful, nothing too deep but he has boundless enthusiasm, introduces the subject to new audiences and is good for the beer industry in general. Good luck to him for turning a hobby into a professional job too. However his indignation is misplaced.

Exhibit 3: Facebook. The UK Craft Beer Forum and the UK Craft Beer Network. One a splinter group of the other I believe. I’m seeing lots of posts from people new to the scene who having got derided for reviewing a beer that isn’t ‘craft’ decide to leave, that’s upsetting. Some of the stuff is well worth reading, including proper brewing industry insights from brewers themselves.

Maybe it’s a society thing. Maybe I am getting too deep and/or easily upset. I do think this general tetchiness is a newer phenomenon in the beer industry which until recently has been much more fun. A lot of it comes down the problem of grappling with the ‘what is craft?’ and the ‘is it quality or is it to my taste’ questions. But let’s all be civilised about it 🙂

Fizzing!

Fizz off

MEMBERS wishing to promote ‘craft beer’ should fizz off and start their own campaign. End of discussion.” Your Shout, What’s Brewing, February 2017

I always enjoy the Letters page of What’s Brewing, I often find the letters highly amusing. CAMRA is like an old embarrassing uncle. Out of date, lots of ideas you don’t agree with but you’ve got to love them. This letter upset me, I know these people exist but I was amazed CAMRA would publish this opinion unless it was a widely held theme of their postbag. Having only recently signed up for my first Members Weekend, I felt compelled to write my first letter, well email, to them.

Dear Sirs

I was interested to see you printed ‘Fizz Off’ on the letters page (Feb 2017). Whilst I realise these are not the official opinions of CAMRA, I assume they are representative of your mailbag. It is likely I will not renew my membership, I joined the wrong organisation and do not feel welcome.

A cask ale drinker for forty years I grew up on the edge of London and got through my youth on a diet of Young’s and Fuller’s with a smattering of Courage in the more barren parts. Later I dabbled with Guinness and Dry Blackthorn but always returned to cask ale.

It was my introduction to the booming microbrewery scene a few years ago, some cask, more keg but importantly, innovative and ‘new to me’ styles that rekindled my real passion for beer. I just used my tastebuds to decide whether it was well made and whether I liked it. Two different things, but often confused. Exact method of production, for example, filtered or rough filtered (who knew?), was irrelevant.

Ironically then, it was modern keg beer that made me decide to join CAMRA as a body campaigning for good beer. I don’t agree with everything CAMRA supports and does but I do know it means well. I attend numerous beer festivals, some CAMRA, some not. More recently I have thought about getting more involved, I attended a Revitalisation Project meeting and will be in Bournemouth for my first Members Weekend.

Unfortunately the letter referred to above is the insulting pinnacle of the stereotypical iceberg. Further down I have seen

  • CAMRA members who won’t let a drop of keg beer pass their lips
  • At the meeting attendance was over 90% men, over 80% fifty year old plus and a majority who were members of 20 years plus standing
  • Lack of appreciation of the difference between ‘well made’ and ‘to my taste’
  • Support for grotty old pubs just because they have four handpumps (usually selling national brands bought on price consideration only)
  • A widespread ‘there’s nothing wrong with CAMRA we just need more volunteers’ attitude

I could have gone on. Of course not everyone is like this, especially the leadership, but a significant proportion are.

And then I walk into a microbrewery taproom and see a mix of young and old, men and women enjoying some session strength beers, some bonkers styles and ABV’s, relying on taste, no heed to method of production or dispense. To paraphrase the champagne laden waiter walking into George Best’s hotel bedroom and finding him on a money strewn bed with two naked ladies, ‘oh CAMRA, where did it all go wrong?’.

Yours faithfully

Let’s just leave it there for the moment.

 

What’s Brewing, September 2014 – Agony Column

Whats Brewing AugustI do my best to help the troubled writers to What’s Brewing. (Despite the pic, this is September).

Maybe they don’t receive many letters but once we start getting responses to responses, GH of Bolton that’s you,  it suggests a lack of good content (mmm, I’d better get writing).

TJ of Hornchurch suggests we put excise duty and tax on coffee, ‘where people are happy to pay more than £2.50 a cup’. £2.50, yes, but only if it is an Imperial Russian Double Cappucino.

Of course, the great music and beer debate rumbles on. Apparently some people like it and some don’t. End of.

“Craft” demise! The headline must have caused a flutter of heady anticipation amongst many readers. The supermarket shelves have more beers labelled as craft, thank you Greene King. Meanwhile ‘good’ beer is still on the increase led by small microbrewers often producing keg beer.

RH of Cheltenham now wants the address of the brewer on the pumpclips too. His intimate knowledge of chemistry, fluoride adding water companies and the effects on beer make him want to decide accordingly. My advice, drink Budweiser, the sophisticated water treatment plant strips out all ions to produce probably the purest base water for any beer in the UK.

What’s Brewing, August 2014 – Agony Column

Whats Brewing AugustMy helpful advice to the troubled writers to What’s Brewing.

Two magnificent letters entitled “‘Craft’ Threat” this month. KW of Walsall generously says ‘…if micros can improve the quality then that is a good thing but it must never, never [sic] be placed in status alongside cask beer.’ So there we have it Greene King IPA on cask, say, will always have a higher status than, say, a Kernel IPA on keg. That’s a relief.

GR of Tooting, wonders that ‘most customers…will not really care how it is served as long as it tastes good to them’. Heaven forbid we let taste decide!

It’s easy to mock these letters and I haven’t fully explained my position, that’s something for another post. But in brief, I started drinking real ale roundabout the start of CAMRA because of taste. In those days there was no good keg beer, nor good bottled beer (with a couple of notable exceptions), the handpump was the best guarantee of a decent pint. How it was made was always of interest to me but taste was the driver. Three things drive my choice of ‘regular’ beers – taste, locality and I prefer to support smaller companies. I believe CAMRA supported this at the outset and the real ale term was a convenient way to weed out the bad stuff, that’s no longer the case.

 

Siren tap takeover at Brewdog Camden

On the plus side I have enjoyed everything I have tried from Siren Craft and have great respect for them. On the debit side I am deeply cynical about everything Brewdog does. Both opinions were reinforced during an enjoyable evening with my new ‘meet-up’ chums. It was my first time at Brewdog Camden and I was somewhat surprised at how small it was. Brewdog relentlessly market Brewdog and only Brewdog, the pumps carry no clips, lens or fisheyes except the Brewdog logo, it is everywhere else too. If, say, Budweiser did this there would be uproar. Anyway before I go too far with this rant let’s talk about beer.

Sound Wave IPA and Broken Dream ‘breakfast’ stout I had tried before and are both excellent benchmarks for their style. Undercurrent and Liquid Mistress make up their core four.

Undercurrent, 4.5% is a pleasant entry level pale ale, a good thirst quencher.

Liquid Mistress is among the growing band of red IPA’s and red ales which I predict could become the next drinking man’s bitter. Like most of Siren’s offering this is not shy of hops and definitely falls into the red IPA category.

Seven Seas is a black wheat IPA, 6% and full marks to anyone who names the seven US and German hops beginning with C. I am a big fan of black IPA but I’m not sure a black wheat IPA adds anything to equation.

White Tips (4.7%) was my first ever wit IPA, brilliant, why has nobody done this before? All the refreshing, citrus notes of a witbier topped up with plenty of hops for the IPA lover.

I should have tried the Calypso first off. It is a Berliner Weiss style, as Kernel have recently been brewing – but at 4% this is stronger, if you haven’t tried it before, think fresh gueuze – it is a sour. It’s Marmite and I love it. Too thin and they can be just acidic but this had the Amarillo hop to give it some body (and a decent ABV). It’s a must try, if you haven’t done so before.

Heavyweights always come last on the bill, so time to move on to 10 Finger Discount, a collaboration with To Øl, cedar spirals being the novelty ingredient. At 7.3% with hops to match this tastes as what I would describe as a double IPA, hoppy but with that rich marmalade-y thing going on. My fave IPA of the evening.

Americano, is a brand new ‘coffee IPA’. At 9.2% it was good but for me the Seven Seas delivered more for less.

Caribbean Chocolate Cake (Jerk edition) is Cigar City collaboration. Tropical stout, 7.4% contains experimental hops, cacao nibs and ‘Cyprus wood’ (Cypress?). As full as you’d expect, big choc flavour, what’s not to like?

Odyssey 001 is from the barrel aged range and boy, was it worth waiting for! For once I could actually taste all the flavours in the description, complex, boozy, warming sipper. Delightful. For the purists here is the website description “An imperial stout brewed with liquorice root and dark muscovado sugars rest in 3 different barrel types ready for blending together to create a unique flavour profile. The coming together of Banyuls, Brandy & Bourbon with a dash of Liquid Mistrress will make this complex beer a keeper.”

Date:                         Tuesday, 13 May 2014
Venue:                       6/10
Beer selection:           7.5/10
Beer quality:               8/10
Atmosphere:               7/10
A good night out:        6/10
Total score:                34.5/50, 69%